What’s Hot In My House – October

There’s a strong indie flavour to my listening right now, with Wolf Alice still more than pertinent, but as ever, I’ve been getting through a lot of music and there’s certainly been some cool new discoveries, like Haybaby, mentioned below. However, as I have given a fair amount of space to some of the bands that are on heavy rotation before, and don’t want to risk sounding repetitive, I’m only including the most relevant things this month, just in greater depth. Enjoy!

Haybaby – Sleepy Kids
Reviewed this the other week for Already Heard and have been playing it to death ever since. There are rough edges aplenty and some seriously sloppy guitars; throw in the lazy croon of Leslie Hong and some histrionics, and you’ve got a superb mix for their songs about life and lust. I’m finding more and more that I like with every listen; from the “I don’t give a fuck” attitude of ‘Old Friends’ and the breezy bass of ‘Her’, through to the insistent melody of ‘Elevator Song’ and the awkward geekiness of ‘Shy’. It’s a sublime record well worth repeated listens, whether it’s to revel in the emotional outpouring of the monumental ‘Edelweiss’, for the vaguely sinister ‘Doored’ or the superb ‘Pizza Party’, there’s never a dull moment and ‘Sleepy Kids’ is fast becoming one of my favourite records of the year. Full review here:http://alreadyheard.com/post/131624144363/album-review-haybaby-sleepy-kids)

Girl Band – Holding Hands With Jamie
Similarly sublime, significantly more sinister but no less enjoyable is the wholehearted festival of noise that is Girl Band. There is something strangely compelling about ‘Holding hands with Jamie’, making it a challenging but rewarding listen that will have you rethink how music should be. There’s no bullshit here, it’s music as art that reaches deep inside – go on, dive in. (Full review here:https://hardpresseded.wordpress.com/2015/10/02/girl-band-holding-hands-with-jamie-review/)

The Libertines – Anthems for Doomed Youth
I kinda missed out on the whole Libertines furore the first time round, so I didn’t have the same level of anticipation/expectation about this album as many people did. I’d got into Pete and Co recently though, so for me it just picked up from where they left off, the band members’ individual histories having no bearing on my enjoyment of the record. As such, I’ve been racking up the streams and loving Doherty’s poetic, semi music hall, Artful Dodger take on the world. Anthems is lyrically sharp, especially on the superb ‘Gunga Din’, surely the Libertines at their very best. Other high points are the rousing ‘Barbarians’, the quintessentially British ‘Iceman’ and the boisterous ‘Heart of the Matter’. All in all, the whole album is thoroughly enjoyable, highlighting everything that makes the Libertines the most important British act since Britpop.


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